Monday, October 1, 2007
Foxx-Street Gossip[Retail][Grouprip]
1. I Got It
2. I Drank - Foxx, Webbie
3. Not Myself
4. Leanin' - Foxx, Paul Wall
5. Air It Out
6. Bounce - Foxx, T-Pain,
7. Know It's Good
8. Big Mouth -
9. Beat It Up
10. Original
11. I'm Sick
12. She Said - Foxx, , Trey Songz
13. Exclusive
14. I'm On
15. Rubberband Knots
16. Twanky Thangs
http://link-protector.com/301331/
Thursday, September 27, 2007
Jena 6 Rally sparks new spirit of protesting
By Yaminah Ahmad
“If they were Jewish students who sat under the tree and the following day had swastikas or offensive racial imagery hung from those trees, and they decided to respond to that imagery with their fists, they wouldn’t have charges placed against them in this country or any other country, for that matter,” rapper Mos Def retorted to CNN reporters during a live broadcast from Jena, Louisiana last Thursday.
Jena, with a population of 3,000, was flooded with a reported 50,000 people from across the country, primarily African American, demanding justice for six Black high school students known as the “Jena 6.”
Since last fall, racial tensions between Black and White students at Jena High School have been brewing with a series of events in the small town whose population is 85 percent White.
Among them was a Black student sitting under what was considered the “White tree.” The next day, some White students responded by hanging nooses from it. Black students protested and District Attorney Reed Walters, along with police officers, ended the protest and told the Black students, “I can take away your lives with a stroke of my pen.”
Soon after, White students at a party beat a Black student and, the next day, a group of Black students were arrested for theft of a gun when they wrestled and obtained a shotgun from a White man after he pulled it out and threatened them with it at a local store. No charges were filed against the White man.
Everything climaxed when an outspoken White student who supported the noose prank called a group of Black students “nigger.” The Black students retaliated by attacking him. The White student suffered minor injuries and later attended a party that evening.
Six Black students were arrested and charged with second-degree murder for the school fight. An all-White jury convicted 17-year-old Mychal Bell of aggravated battery. He has been in jail since December.
Revs. Jesse Jackson and Al Sharpton and their constituents, along with busloads of college students from Historically Black Colleges and Universities (HBCU), concerned families and high-profiled personalities like Martin Luther King III, filmmaker Tyler Perry, rapper/actor Mos Def, author Michael Baisden, Hip-Hop writer and activist Kevin Powell and Congresswoman Maxine Waters, responded to what many deem inhumane treatment of children by swarming in on the autonomous town donned in Black and carrying picket signs while shouting, “No justice, no peace!”
It was a scene out of the civil rights demonstrations. Red-faced sheriffs aligned the outskirts of the massive crowd with their hands resting lightly on the holsters awaiting trouble. It never came.
Jackson led a passionately peaceful three-block march to the LaSalle Parish Courthouse where he told participants that injustice like the Jena 6 case is taking place in every state. With Blacks accounting for 80 percent of children in juvenile detention, the civil rights leader alluded to the business of imprisonment.
“They use inmates as prison workers. They are cutting grass along the highway. They rent prisoners out to friends in private business… It’s called pillage or slave labor.”
D.A. Walters, who held a press conference Wednesday, and some local residents, mainly White, believe the attention on the case is blown out of proportion and that their town is being misrepresented.
“This case has been portrayed by the news media as being about race,” said Walters. “The fact that it takes place in a small Southern town lends itself to that portrayal, but this is not, and never has been, about race. It is about finding justice for an innocent victim, and holding people accountable for their actions.”
“This is a very close community. I feel safe here. I think this is a good community,” said one woman, convinced that “outsiders” should stay out of it.
But Sharpton believes silence is a catalyst to injustice.
“The silence shows us that this was fine as long as it was under the carpet. We came to pull the carpet up. If there are roaches [when] we turn the light on, don’t blame us for being those that get rid of roaches. Blame those that let the roaches crawl around.”
Melissa Bell, the mother of Mychal Bell, marched alongside Sharpton wearing a “Jena 6” T-shirt. She said her son was watching the rally on the news and was overwhelmed by the support from strangers across the nation.
Unfortunately, their excitement was cut short the next day when a judge denied a motion for Bell’s release from jail even though his charges have been voided. As of yet, D.A. Walters hasn’t re-filed charges in juvenile court, so according to Bell’s attorneys, there is no reason to hold him. Protestors from the rally who were present at the court hearing vowed to come back.
Donald Washington, U.S. attorney for the Western District of Louisiana, concluded that the nooses and the school beating of the White student were not related incidents and dismissed any notion that the events are hate crimes.
ColorofChange.org, an Internet-based grassroots organization, lists several steps Jena 6 supporters can take to help the high school students.
“The prosecutor and district attorney should be made to know that the responsible thing to do is the right thing to do,” said Mos Def. “These are young men. There’s no justification in ruining their lives over something that’s so ridiculous.”
THE LATEST NEWS
A White supremacist website posted the phone numbers and addresses of five of the six Black students, calling for their community to “deliver justice,” the FBI reported Saturday.
Some of the families have received constant threats 24/7 and the governor has called for an investigation by local police.
“These people need more than an investigation. They need protection,” Rev. Jesse Jackson said Sunday. He is now calling for President Bush to intervene.
Tuesday, September 25, 2007
Pimp C: Tell 'Em I Said That
By Bonsu Thompson
You’ve conducted some interviews recently that expressed some pretty offensive opinions, but you only apologized for your “Atlanta ain’t the South” statement. Any other apologies you wanna make?
Let me say this: That statement about Russell Simmons had nothing to do with his sexual orientation. It had more to do with a disagreement [we had]. I don’t know if the man likes Martians, squirrels or whatever, so I ain’t gonna speak on something that I didn’t see. It’s no gay-bashing with me. It’s just, be proud of what you are, instead of hidin’ in the closet. And if ya fuck boys in the ass, then don’t be tryna fuck with the girls, too, poisoning the pussy population wit’ ya shitty ol’ dirty-ass dick.
So Pimp C is not a gay-basher?
I’m not a gay-basher, because gay people buy my records. Why would I be offended by your sexual preference, unless I’m in the closet? If ya like boys, go get all the boys ya want. And whatever you did that you ashamed of, don’t do it no more.
Do you ever feel any compassion for Bun B, for being in a group with a man like yourself, who is unfiltered and can be bullheaded in his ways?
You been programmed to think I’m bullheaded. I just know what the fuck goin’ on. I know who’s a faggot, I know who lettin’ them girls fuck ’em in the ass with them dildos, I know who really sold dope, I know who didn’t. I be in Houston. The only nigga I see [in Houston] goin’ to the mall by himself is Slim Thug. Other niggas, when I see ’em, they got bodyguards around ’em. How you gonna be scared of the neighborhood you supposed to be reppin’? All them [Houston rappers] that think they stars, guess what, bitch? Ain’t no stars down here. Only stars is in the muthafuckin’ sky!
So the only Houston rapper you’re acknowledging is Slim Thug?
I didn’t say that! I said, again, the only nigga I see at the mall by himself is Slim Thug. You magazine muthafuckas need to have more responsibility for what you write and put on your goddamn covers. I couldn’t get on a Source cover ’til I went to prison. I had to go to prison to get on the cover of yo funky-ass magazine?
But, Pimp, you do know this isn’t a Source interview, right?
I know this ain’t The Source. I’m riding on them in yo book! So if [they] wanna give promotion off the negativity, then eat my whole dick and nuts at the same time. I’m not talkin’ to you, but, like, you gotta ask the hard questions. I gotta answer the hard questions in a hard-type manner.
Anything else would be uncivilized. In your Ozone interview, you referenced rappers lying about their drug rep—specifically, Mr. 17.5, which is Young Jeezy’s nickname. Why did you call him out?
So that’s your opinion? You’re basing your opinion that I went after Jeezy ’cause the same number that he calls himself is the same number that I used in my interview?
Uh, yeah, he’s the only person I know that calls himself Mr. 17.5. So, yeah, I guess you can say I assumed that’s who you were referring to. But was I wrong?
First of all, Jeezy is a cold muthafucka with a microphone who, in my opinion, gotta have something in him that’s street or somebody street around him that’s instillin’ something in him. Now that I gave him his compliment, let me go on. Don’t single out Jeezy, because he ain’t the only one that’s kickin’ numbers that don’t match. Have you ever sold drugs?
Excuse me?
Well, you do know there’s no water around Atlanta. So all the drugs in Atlanta either come from Miami or Texas. Ain’t no way those prices match up. If work in Texas is $15,000 to $16,000 a ki, you gotta pay a muthafucka $2,000 to $2,500 a bird to bring it back to your city. How you gonna sell it for lower than you got it? A muthafucka might be cold and go down to San Antonio to buy it straight from the muthafuckas that get it across the border for $10,000. But news flash: I know you muthafuckas ain’t comin down here to get it, ’cause we woulda saw ya. See, real niggas don’t swap it out. We get ya on the next batch. But Young Jeezy is my brother. I done made records with the nigga. I’m not gonna side with the media against my brother. It’s just that these dope prices… It ain’t even just the South. It’s a bunch of niggas lyin’ on records. Y’all ain’t gettin’ it like this on the East Coast, neither. Just stop, ’cause y’all know y’all gotta come get this work from us. Chuuch.
Streets Is Talking: Young Jeezy
Jeezy has been mum with his take on the chatter. But, he’s blessed AllHipHop with the opportunity to get his opinions on the matter, along with bigging up his present endeavors, of course. Now before heads go running at the lip or tip tapping at their keyboard with partial quotes to incite more hype, please know that there is no beef. It comes down to a difference in opinion, and below you’ll find Jeezy’s.
AllHipHop.com: How ya feeling?
Young Jeezy: Like a million dollars homie. For the record I’m doing me. I just been running trying to get some money but I’m all ears, anything you asking I’m answering.
AllHipHop.com: What’s up with the clothing line?
Young Jeezy: Aww man, 8732 it’s crazy right now. I’m doing the official launch Thursday, September 28.
AllHipHop.com: Is the clothing line through Roc-a-Wear?
Young Jeezy: Yeah, we got a collabo. I sit down with the powers that be man and we got it really cracking. I really wanted to do it and they had a crazy outlet so we just made it happen.
AllHipHop.com: What’s the meaning behind the clothing lines names?
Young Jeezy: It’s the culture. When I went in it for USDA they wouldn’t let me do it, so I just flipped it. If you really from the streets and you know the old school ways, when you want to get at somebody without saying, you just put it on their pager, ya know, dial it in the phone. So basically if you go to the phone booth back in the day, you put it in somebody’s pager, you look at their pager and read it, USDA spells out 8732.
It’s two or three different logos for it but we mostly playing with the numbers. It’s one hundred, I wouldn’t even lie to you. It’s doing real good in the stores right now, when I’m out and about I see people really wearing it, really buying it, really supporting it man, I can’t do nothing but thank them for that.
Other than that man we just grind. I might be back in on another album, I might not be. [laughing]
AllHipHop.com: Come on man, the streets ain’t trying to hear you retiring.
Young Jeezy: Ya know, just tell them get ready for me though because when I come, I’m coming right. It’s going to be my best work.
AllHipHop.com: Do you have a release date yet?
Young Jeezy: Nah man. I could be done right now to be honest with ya, I really never stop recording bruh. I never really stop. It’s just depending on how I’m feeling and when I feel the vibe I’m moving.
AllHipHop.com: What about a title?
Young Jeezy: Yeah but I’ma keep that under wraps because I don’t want nobody getting a hold of no songs and putting a Young Jeezy album out. [laughing]. [Corporate Thugz Entertainment] is good, I got some West Coast things going on. I got 2 Eleven and Young Rocket from out there. 211 from Inglewood, Roccett from Carson, them my homies from out West so we been dealing with them lately. We got Slick Pulla and Blood Raw, they going to drop at the top of the year. I just signed my man out of Jackson, MI, Boo the Boss Playa, he one of my homies I been knowing him for a long time but he been on the grind. We just got a chance to really make it official.
AllHipHop.com: So what’s your take on Keisha Cole’s article in Essence Magazine?
Young Jeezy: Aww man, ya know, I guess it’s publicity season everybody trying to sell records. Can’t knock her for that but I ain’t really tripping because that don’t pertain to me. She can’t obviously be talking about me. It’s publicity season, everybody’s doing what they do, so I guess that’s what that is.
AllHipHop.com: So you wanted to address the Pimp C situation so…
Young Jeezy: Yeah, ask whatever questions you want to ask, I’m answering. We gon’ keep it one hundred around here. We can get in depth about whatever you want to get in depth about, it’s AllHipHop, let’s do it.
AllHipHop.com: Just so we’re clear, Pimp questioned the figure 17.5. He’s been adamant that he wasn’t referring to you, but people are wondering if it’s still a slight to you since you go by Mr. 17.5.
Young Jeezy: If he ain’t referring to me he ain’t referring to me but first of all I’m one hundred, I’m a real street ni**a and I ain’t gotta stress that. And nor will I get myself or anybody in my circle indicted to prove nothing to no ni**a, but at the end of the day that what it is and that’s what I’m standing on. He been gone six years, he don’t know what’s been going on in these streets. And to be honest with you, nobody ain’t got to go shop over that way anyway. Come on man, this real man, this the world. You can go to the West Coast, you can go wherever you need to go to do what you got to do, ain’t just one store. [laughing]
I don’t know what that’s about but I’m still standing on it. It’s 17.5, ni**a got a problem with it, then let’s get it.
AllHipHop.com: Have you spoken to Pimp C at all since all this came about?
Young Jeezy: No, they reached out man but I’ma be real, I’ma keep it 100, when he said he won’t speaking about me I left it at that. I really don’t got a good relationship with Pimp but I know Bun [B]. And the thing I will say about Bun, even if dude don’t know that, is that Bun knew me before rap. I used to pick Bun up in my cars and ride him around when he lived in Atlanta and smoked with him, have him around me and my homies, so Bun know me. If you ask anybody about me, in any part of the world, I’m 100. Even out there in Houston, ni**as know me for real and I’ma leave it at that. Bun like my brother from another. We chop it up all the time, me and Pimp just ain’t have the relationship.
AllHipHop.com: And you and Pimp C have done records together.
Young Jeezy: Yeah, but you know even the little comment about the 60 thousand for a verse, man I did four verses for them dudes for free man. I sell millions of records. I fucks with real ni**as. It takes a real ni**a to know one so when a real ni**a reach out to you, you do what you do and you don’t trip on it. I didn’t real get it. Me personally, I think ni**as was getting way too emotional. If you a G, you’ll reach out. I got a phone, you got a phone, whatever, and you’ll holla like men. You don’t get in a magazine and say nothing crazy and think a ni**a ain’t going to take it personal. But at the end of the day, like he said, he wasn’t pertaining to me. I couldn’t really give a fuck homie, because at the end of day man, I’m fucking amazing my ni**a. I’m good at what I do, but I was great at what I done, I’m the last motherfuckin’ Mohican. Ain’t no ni**a walking this fucking earth fittin’ to tell me that I ain’t do what I said I did. I’m not even being mad about but it’s like when you grew up listening to ni**as, and you respect them, and you get out there and do everything they say they done, but better—and then you get to where you at and they don’t respect you, then fuck it. It’s what it is. At the end of the day, I done it. I done it homie, I’m one of the best.
I ain’t never seen none of these ni**as I rap with in the streets, ever. Never crossed paths with them, ever in my life. I know these ni**as from music. At the end of the day I did what I did and I’m here now and I’m blessed homie so I ain’t even trippin’ on that. That’s nothing to really glorify, that’s all I know. And I cater to the people who love what I do and that’s what I do. Real ni**as respect other ni**as craft and let other ni**as do what they do. My thing is sometimes you gotta let the younger ni**as eat though. For everybody wondering why it took me a minute to even speak on the shit, I been getting money man. I been busy chasing paper man, I ain’t got time to deal with no bullshit. That’s the ni**a’s opinion man, that shit’s like an Escalade, everybody got one of them motherfuckers.
AllHipHop.com: Have you read the interview in XXL with Pimp C?
Young Jeezy: Yeah yeah, I read it. Cause my thing is…and I’m a say this, if the ni**a saying he ain’t talking about me, then I’m cool with that. I got love for Texas, I really do. I really been out there for real and I know what he talking and he 90% right. But, I wasn’t speaking on that at the time. I was speaking on what was going on with me. So if he took it the wrong way, the whole 17.5 thing, that’s what it is, though. But like I said, he said he wasn’t talking about me, so I left it at that. But in the magazine, when they put the shit in XXL, it was my name in big bold letters, I ain’t know how to take that. But if a ni**a call me his brother then that’s what he saying. My whole things is if we brothers we gon’ leave it at that. It can be everything or it can be nothing. But I’m a man, I’m a grown ass man, I’ma stand on my own ten at all times. I don’t take that well, especially when you got respect for ni**as, you feel me?
My thing is, I ain’t got nothing to do with that. And I feel like he feel. That’s why I got in this game. There’s a lot of fake ass ni**as out here talking this shit. But you don’t just wake up and talk like this, you don’t just wake up and walk like this, ni**as don’t know about that shit being around it. My thing is you get in the XXL article and discuss prices. Like, you an OG, you ain’t supposed to that. You still got to show some type of rules and morals for the street, there’s still nig**as out here doing what they gotta do everyday to survive. It’s one thing to speak on it on records to motivate ni**as but when you get to talking about that shit in magazines, the feds read too. They’ll pay you some attention if you don’t get none from nowhere else.
That ain’t being realistic. I would never disrespect the streets like that. Never in my life homie. I’m telling you, I stand here on God’s green’s earth, if I ain’t do it, it’s never been done. At the end of the day I would never disrespect the streets like that. I would never get in no magazine and discuss this and that and what it costs and all that. That might not be another ni**a’s program, at the end of the day you just putting the shit out there for the world to see. It’s one thing to be you and do your craft and speak on it and do that, but if you an OG my ni**a you don’t do that. Everybody ain’t fortunate enough to get a rap check. But god damn it I am!
The ni**a spoke on my homeboy and shit [Ed. Note: referring to Big Meech of BMF], and I’ma say this, that’s my ni**a, that’s my fucking heart and shit still real out here. So at the end of day ni**as gotta play by the rules. I’m not mad, because I can’t be. Cause you don’t get offended when a real ni**a straight in his business. My thing is, we gotta keep the morals to this shit and we can’t lose it by trying to god damn step on the next ni**a head. Sometimes you gotta let the young ni**as eat, cause I’m the same niIIa that was screaming free this ni**a when he was locked up. I’m the same ni**a that single handedly helped Bun get back on his feet when the shit was falling off out that way. I did several songs with Bun B, ya feel me?
AllHipHop.com: It’s seems like it’s simply a disagreement in the numbers.
Young Jeezy: A ni**a can have a pocket full of stones or a Navi full of squares my ni**a, but at the end of the day who the fuck cares, we here. We made it. Only thing we can do is motivate the ni**as who’s still out there. Fuck the numbers, the numbers change everyday. You think I’m going to get into a dispute over some numbers? I could see if I was coming to shop with him, yeah. But other than that, come on man.
If we brothers, you can disagree with your brother. What I really was pissed off about was the whole dissing the ATL thing. I’m a strong believer in when you meaning what you say, and say what you mean, that’s what you mean dog. So for some ni**as that fucked with y’all ni**as from the beginning, for you to say that it just made us feel a whole other way like, “God damn dog, what we doing?!” We support you. You take the rap game and look at the younger ni**as of today we collab. I fuck with Buck, I fuck with T.I.P, I fuck with [Lil] Wayne, ni**as get money together, it ain’t about that, cause at the end of the day it’s a business. This ain’t gangland. If it’s like that all of us could have stayed in the streets. If it ain’t about the money, why we rapping for? I can’t do you, I can only do me brother.
At the end of the day I’m an adult, and on top of that ain’t nobody gave my shit. I came from the bottom, I came from nothing, and I’m staying here man. Every ni**a I know is either dead or in jail. When I see ni**as in the street that I used to know, [they] look at me like, Damn how the fuck did you make it? And I tell him I believed and the big homie upstairs made it possible for me.
AllHipHop.com: To be clear, has anyone from Pimp C’s gotten at you to try to resolve this?
Young Jeezy: I ain’t trying to put the homie on blast, he tried to reach out and when I got that I was done with it. It’s like, man it’s already hard enough out here for us and ni**as gotta stick together. I gotta be blunt and this is my last time saying this; the man never said my name. A hit dog would holla. He ain’t hit me, so he wasn’t speaking to me, that shit went over my head. And you can quote when I say this, I feel like he feel. There’s a bunch of fake ass ni**as out here and I know how he feel, cause I see it. But them ain’t my charges and that ain’t my case. You quote me when I say that. Those are not my charges and that’s not my case bruh.
AllHipHop.com: Sometime down the line would you be willing to speak to him?
It ain’t even that serious bruh. At the end of the day I feel like he feel, I’d die about this shit. I die before I walk in the street and I feel like a ni**a played. Tell a n**a to bring the motherfuckin’ yellow tape, the white chalk and a body bag my ni**a. I ain’t got no choice, what am I going back to? But at the end of the day it ain’t that serious and I know he feel the same way, cause he stand on what he speak on. Fuck all the dumb shit, let’s get money. And it ain’t me coppin’ no deuces, it ain’t me slowing down cause I damn sure ain’t no sucka. But at the end of the day what would you rather do? Would you rather get money or be on some dumb shit, about nothing. Cause if the beef was legitimate we wouldn’t even be doing this conversation. It would be on, like fuck that. It ain’t no legitimate beef. It’s a ni**a with his opinion saying he was from out that way, and the prices ain’t, I can respect that.
AllHipHop.com: You mentioned Big Meech, have you been able to communicate with him?
Young Jeezy: I spoke with him actually. I tried to see him when I was out in Detroit. He’s good, holding his head high. It’s just going through the changes of life man but we all praying for him. Like I say man, I can’t express to you enough…I just take that to the heart when people speak on that man. That’s my brother, like, no bullshit. Me and that man got a real relationship. That ni**a love me like his mama had me. I know his parents, I know his people, this ain’t no game. He’s just in a bad place right now. I shout him out every time I got a chance. But ya know, he got some things going on that I might not need to say nothing about. We’re going to leave that at that but that’s my ni**a, I love him to motherfucking death and I pray every night that they free that man cause he is a real, good, ni**a.
AllHipHop.com: What do you say to the people that say all you do is talk about the streets, drug dealing and all types of negativity?
Young Jeezy: That’s my point exactly. For all the criticism I get, I still keep it real. I’m an intelligent individual and a hell of a businessman but I keep it real to what I know. That’s all I know, that’s it, that’s all I can tell them, I don’t know nothing else. I been on my own since I was ten years old. I raised myself, I raised others around me, and at the end of the day that’s all I know. If a ni**a can’t accept that from me I can respect it bruh. At the end of the day, like I said, I am fucking amazing. I’m good at what I do, I’m great at what I’ve done, I’m the last Mohican.
WWW.ALLHIPHOP.COM
Monday, September 24, 2007
Twista: Adrenaline Rush 2007
Coming back for the first time is no easy task. So with Twista’s latest release Adrenaline Rush 2007 (Atlantic) holding the same name as its predecessor 10-years the senior, expectations are high. This nouveau rush finds Twista further away from his radio friendly previous releases, which was technically a deviation from the style that he first gained notoriety for. Instead he’s back to basics. Trading in silky hooks for grimy beats and edgier lyrics. Producers Cuzo and Toxic take over the bulk of the credits, providing the right amount of grit for Twista’s swift flow. While a few other usual suspects, Jazzy Pha, and The Neptunes add their ingredients to the recipe.
The line between the differences in production is obviously clear on the stand-out track “The Come Up” a dirty South wolf of a beat dressed in a sheep’s Midwest clothing. Twista trades in his patented fast delivery for the slow-motion version. “I’m a killa’ man standing on this corner hustling for my dinner man”. His rhyme scheme is always perfect down to every second. Following this theme, on “I Aint that Ni**a” he elevates his game a few notches with a continuance of disenchanted seriousness to let you know that you might not want to cross him.
However, still trying his hand at easily digested crossover appeal “Give It Up” is a Neptunes archetype track with Pharell thrown in for good measure. “That girl wanna’ give it up. Black girls wanna’ give it up. White girls wanna give it up.” You get the picture. Just throw in the heat of an 808 and the energy of a late night trip to the club and response is sure to be a contagious one.
Capturing the platinum status of 2004’s Kamikaze isn’t as important this go around, as making a concrete album. That's not to say that the success level won’t be as high, it’s refreshing to hear that too much hasn’t changed. As each track glides into the next the solidity is undeniable. Typically on a ride like this a few road blocks are inevitable. “Love Rehab” throws salt in Adrenaline Rush 2007’s game and should be reserved for a feature performance on a future R. Kelly album. Then there’s the hook man of the moment, T-Pain. Known for his club friendly joints, “Creep Fast” is no exception. Though not as high on the list of certifiable T-Pain hits, having him on the album is a pre-requisite these days so kudos are in order.
The harsh but true musical reality is that you either have to have street credibility or pop appeal. Very few know how to navigate those lanes and experience the best of both worlds. Adrenaline Rush 2007 is somewhat of a battle for Twista which results in a few out of place tracks. Despite this, rather than saturating the record with candied R&B singers and contrived subject matter, choosing to stick with his classic style was a smarter move.
WWW.ALLHIPHOP.COM
Sunday, September 23, 2007
WC: The World is a Ghetto
On the should-be classic "I Left it Wet for You," UGK's Pimp C rhymed "All the time, I'm bumpin' WC, 'cause it seems like he's the only n***a makin' sense to me." That was almost 15 years ago. WC, approaching his twentieth year as a recorded MC is still making plenty of sense to many.
With his recently-released Guilty By Affiliation, William Calhoun keeps it currently by chronicling his strong bond with Ice Cube, weighing his hood credibility against his rap wealth and twisting words into a flow that's endured from WC's early days with Rhyme Syndicate and Low Profile.
The twisted-braid MC spoke to AllHipHop.com about his evolution and maturity, his back catalogue and his status abroad. With a new album that shows no age but flexes its wisdom, WC will forever make sense to me too.
AllHipHop.com: My favorite WC line ever was on “Just Clownin’” where you said, “When Run-DMC and Jam Master first bust / We was snatchin’ motherf**kas out of Nissan trucks.” To me, that line embodies your street certification with your love of Hip-Hop. Tell me about that line’s meaning to you… what was WC like in 1984?
WC: 1984 was the era of crack taking over in the hood. A lot of money was starting to flow to the hood, in the ghettos in general. When there’s more money, there’s more weapons. With more weapons, there’s more violence jumping off. Music was an outlet for me. Back then, that was an era when mothaf**kas was rollin’ in Nissan trucks with little sounds in ‘em. We used to have Uncle Jam’s Army come through and do concerts and stuff, and always something would jump off at those concerts. I was just letting people know that I’m not new to this. Back in the days when motherf**kas were listening to Run-DMC, I was really experiencing “Hard Times.”
AllHipHop.com: You found your first major success with DJ Aladdin as Low Profile with the song “Pay Ya Dues.” You just came back from touring in Australia. In a WC concert in 2007, does that song still get performed?
WC: On a WC solo show, s**t, yeah, definitely! When I’m on the road with [Ice] Cube, nah. My whole goal when it comes to getting out and performing is to not just do the records that cats have heard from me lately, my whole goal is to get in there and create one big party. At a party, if you request a song, you’ve got it. I just want to put n***as up on WC and West Coast culture. I’m bringing ‘em up to date. You’ll catch “Pay Ya Dues,” ‘cause that was the foundation, the beginning.
AllHipHop.com: If you were to release that song today, or write it. Would the lyrics change much? A lot of rappers aren’t paying dues…
WC: It would be the same song, it would just have different names. “You sound like KRS-Chuckski-Kool Moe-S-1, yelling on the mic like your name was Run,” I’d change the names to somebody that’s relevant right now. Other than that, I’d keep it the same way because it’s still relevant. In order to get out here in this game and maintain, you gotta pay dues. Even the cats that’s been very successful in this game is still paying dues in this game.
AllHipHop.com: In the late ‘90s, some people perceived Westside Connection as a group throwing gasoline on embers from the East/West conflict. Some of us knew better. But shortly after the first album, you appeared on “The Militia Part 2” with Gang Starr and Rakim. Tell me what that record meant to you.
WC: It meant a lot to me. A lot of people in the media was trying to make it like it was an East/West thing when it really wasn’t. We was representing where we was from – liberating the West Coast. By us throwing up the “W,” people that didn’t like that, ran with it. Long story short, that record at the time was something I seized the opportunity to do. I’m still a fan. It just so happened that me and DJ Premier was always cool. To this day, we’re like brothers. If Premier flies to L.A. to handle some business, he has no problem getting a rental car, meeting me in the hood, getting a hood burger, going to the corner liquor store, and eating in my living room, smoking a joint, chopping it up, and being out. That’s how we’ve been for the longest.
That record was nothing – nothing but a phone call. I called him and told him I was in New York on business. He was like, “Stop by the studio.” I got there, he played me a bangin’ track and said, “Get up on it.” I just couldn’t resist. It was like three or four in the morning.
AllHipHop.com: On your album, you have a track called “Crazy Toones 4 President.” He’s been instrumental throughout your career since the ‘90s, and did all the scratching on this album. Why did you do that now?
WC: Crazy Toones is definitely the backbone of my music. He’s my little [blood] brother. We know each other like we know ourselves. He’s always been my inspiration, my ears too. Even in my solo career, he had a major hand in it [outside of the Maad Circle]. He’s the only n***a I know that I can ask to spell something or say something with records, and he can do it within 30 minutes. He can go to his records or Serato and make “Jake Paine;” he’ll take the “P” from f**kin’ Whodini and so forth. This n***a’s ridiculous. Cube and Snoop…they’re all reaching out to him to do what he do. Toones had to be involved in this record right here. This record is so important to the West Coast. We needed a record under the radar that still stood for something. The West Coast is always known for their DJs… Joe Cooley, Battlecat, Egyptian Lover, Aladdin. Most n***as never mention their DJs anymore, we made a song about it.
AllHipHop.com: Looking at yourself all these years later, how have you matured as a man and as an artist?
WC: As a man and an artist, I’ve changed ‘cause I’ve had the chance to taste success. I realized that a lot of us don’t get to taste success in the way that I’ve been blessed to. A lot of people don’t get a chance to be in the spotlight. Success is really only based on the eye of the beholder. What I’m trying to say in so many words is, all I wanted to have was a worldwide voice. Once I tasted it, and saw how many people from ghettos there were dying, worldwide, over senseless crimes, I got to say to myself, “Damn, this is a blessing. I’m not gonna waste it or take it for granted.” That made me mature a lot as an individual and as an artist. Easy come and easy go.
AllHipHop.com: Overseas, you’re something else. Domestic radio might shun your album because you’re on an independent label and the climate has changed. In Europe or Asia, what’s your career like right now?
WC: Yeah. Product nowadays is only as good as the person who can get it to the fiends. If you got a big machine behind you… Kanye West and 50 Cent had machines behind them pushing buttons, making sure every five minutes, you’ll hear a record, see a video, n***as talking about you. At the end of the day, buttons are being pushed. On the other hand, the others gotta get it in the peoples’ hands. But once the people taste that s**t, they’re gonna want that as well. We’re not relying on radio [or] video to sell our record, we’re relying on the word of mouth on the streets. We’re beatin’ up the pavement, getting inside these clubs that a lot of people don’t want to f**k with, in order to have a lot [consumers].
When we’re overseas, they get to see and hear what we’re working with ‘cause we brought it to them. Once they taste that s**t, they love everything we’re giving ‘em. Right now they’re trying to get my record licensed overseas. There were requests for me to come back over as a solo artist – not “WC & Ice Cube,” but me. They want a month over there. It’s just a matter of us getting out there. Overseas, it’s overwhelming. I can’t walk off stage without them yelling, “Crip walk!”
AllHipHop.com: You’ve done so much for Hip-Hop for nearly 20 years. You’re still doing it too. What do you want from Hip-Hop?
WC: At the end of the day, I just want n***as to listen to me and say, “Know what? I learned something from that n***a. Throughout his career, he kept an element of staying true to himself, to the West and to something he believed in.” You can’t do a whole album about being in the club ‘cause when you leave the club, you go home and face reality. There’s bills due, police killin’ n***as – and this s**t is going on worldwide.
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Thursday, September 20, 2007
This guy is somewhat stupid...but for the most part a trill dude...
SEATTLE - Federal agents thought there was something fishy about Leroy Carr.
On four occasions since last December, Carr either crossed the Canadian border or was found near it with thousands of dollars in cash, according to a complaint filed in U.S. District Court. He also sometimes carried night vision goggles and a GPS device programmed with coordinates for a well-known drug-smuggling trail.
But Carr refused to speak with Immigration and Customs Enforcement agents, and they let him go — until he called to ask if they had seen his cocaine.
According to the complaint, he told agents that on Aug. 3, he had stashed two blue backpacks containing 68 pounds of cocaine by the entrance to a Boy Scout camp near the Canadian border. When he returned the next day, they were gone, he said.
Carr, of suburban Federal Way, asked if ICE could put out a news release saying that federal agents had seized the drugs. That way, according to the complaint, the organization he was working for would believe his statements that he hadn't stolen them.
Two weeks later, a Boy Scout ranger found the backpacks, which were dry and in good shape, and called police.
Carr was arrested last weekend on a federal charge of cocaine possession with intent to distribute. He made his initial appearance in U.S. District Court in Seattle on Monday and is scheduled for a detention hearing Thursday.
Carr's attorney, Nancy Tenney, was out of the office Wednesday morning and did not immediately return a phone call seeking comment.